This
novel has been on a shelf since August 2012 and was recommended by my friends
at Fanfare Books, Stratford, Ontario, Canada.
It was a finalist for several awards including the prestigious Man
Booker Prize and was awarded the Scotia Bank Giller Prize for 2011. Earlier reviews mention the beauty of the
language and compare Edugyan’s use of dialect to the talents of Mark Twain. This
year it is one of the novels chosen for Canada Reads, and that is why it
finally got the reading it deserved. Esi Edugyan has created a masterful tale
bringing to light the world of Jazz in Europe during the horror of the Hitler
years.
From the liner notes: “Paris,
1940. A brilliant jazz musician, Hiero,
is arrested by the Nazis and never heard from again. He is twenty years old. He is a German citizen. And he is black. Fifty years later, his friend and fellow
musician, Sid, must relive that unforgettable time…” Passions fill this story: for Jazz, for life,
for love, for success, but it is the realness of the characters that stands out
for me. Hiero, Sid, Chip, Pau, Ernst, and
Delilah are real – REAL. The friendships
in this novel demonstrate love and betrayal.
The reader’s loyalties are tried along with the loyalties of the
characters. Along the way the reader is
immersed in the experience of living in Berlin and Paris during the beginnings
of World War II.
Hiero is a black German unable to
get papers in Hitler’s Germany, while Sid and Chip, originally from Baltimore,
have been friends since childhood. And
the novel is not just about being black in Germany, “Cause blacks just wasn’t
no kind of priority back in those years. I guess there just wasn’t enough of us”
(77). But the friendships are uneasy in
this novel and music, talent, and the love for one woman, Delilah, cause
conflicts and jealousies. Introduced
into this world is Louis Armstrong, and his interest in this group of Germany
based jazz musicians becomes an integral part of the controversy. The recording of a song entitled “Half-Blood
Blues” becomes an obsession for Hiero, and disc after disc is destroyed until
Sid slips one in his vest: “…and it was like I could feel the damn disc just
sitting in there, still warm. I felt its
presence so intensely it seemed strange the others ain’t sensed it too. Its wax holding all that heat like an altar
candle” (5).
To say much more would give away too
many moments I do not want to deny to anyone who chooses to read this
book. Just one teaser without spoiling anything, the trip to the zoo in Hamburg gave me a picture of life in Germany, not a result of Hitler but predating his power, a picture I wish I could erase from my mind’s eye. Read it.
Edugyan,
Esi. Half-Blood Blues. Toronto:
Thomas Allen Publishers, 2011. Print.
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